The Heil PL-2T sets up in about 2 minutes: you just tighten the vice to your desk and slide the boom arm into the hole. You can go as far as having a pair right above the drummer's head, aimed back toward the drums. Best Plug-and-Play Mic for Streaming and Podcasting. Stand Types. It was devised around 1960 at the Office de Radiodiffusion Télévision Française (ORTF) at Radio France. An adjustable counterweight, heavy-duty shaft and numerous integrated clips keep heavy diaphragms balanced and wires organized for ease and comfort. Davida Rochman | The tripod/boom microphone stand adjusts in several directions. 3. You can, however, measure the distances from the snare to each overhead mic to ensure that the time arrival of the snare is the same in each overhead mic. Boosting the vocal Eq range around 1-4khz and raising the center volume will make dialog clearer. Sometimes the simplest setup is the best one, as you’ll see in this excerpt from Start to Finish: Matt Ross-Spang - Episode 1 - Setting Up The Live Room & Getting Sounds. The Griffin Studio Microphone Boom Stand on Wheels is the perfect multi-functional microphone stand for stage and studio alike. The Samson Q2U is a handheld mic but don’t let that fool you: it comes with a desktop stand (and pop filter), and the microphone clip is compatible with most boom arms. I always start the process of getting a drum sound with the overhead mics. You can vary the heights of each mic independently to compensate for differences in time arrival from different parts of the kit. Its boom arm is extendable from 4″ to 27″ long from the vertical pole, and its height is adjustable from 40″ to 63″. What do you need to complete a boom microphone setup? Overhead Mic Placement-Left to Right You could start by simply centering the overhead mics over the drum kit using an X/Y or ORTF pair (note: my first choice for this task is a large diaphragm cardioid condenser so that mic type will be assumed throughout this post. Lavalier microphones — or lav mics — are so commonplace in video that audiences don’t even care if the microphone is visible or not. Contributor: Mike MajorI have always felt that the best drum sounds are achieved when there is a seamless marriage of the close-mics and a stereo pair of overhead mics. Then i reversed the position of the mics in the bracket so … The three durable caster wheels allow you to move the stand around the studio easily, without disturbing your stand setup. . It's not as simple as placing a mic on each drum and two more above the kit, and bringing up the faders. For more, read our related article: Boom Pole Stands & Boom Pole Holders: How to Set Up a Boom Mic on a Stand Sennheiser MKH416 Super-Cardioid Shotgun Tube Condenser Microphone Of course, you’ll also need a good quality shotgun microphone for capturing great documentary interview sound if you use the boom pole method. Even if you go so far as to filter all of the lower frequencies from your overheads (a common practice for some), there will still be noticeable interactions with the close mics. Most orders are eligible for free shipping. This mic is awesome! The Microphone works well and has a switch on the back to pad the mic from load noises. Top-quality products and tailor made solutions for every aspect of recording, transmission, mixing, and reproduction of sound Working at the legendary Sam Phillips Recording studio in Memphis, TN, Matt discusses the mono overhead mic he’s using on the drums, one of only three mics he’s got on the kit. It’s still best to hide the mic — and there are plenty of ways to do that — just make sure your subject is okay with you running cables underneath their clothes. It is one of the easiest boom mic stands to set up as it comes as a 2-in-1 Boom microphone stand without the hassle of screwing nuts and bolt in the poles. Image via Shutterstock. It can rotate 360 degrees and will hold your microphone steady in any position. Handles microphones up to 3-1/2 pounds in weight. Featuring an impressive 45”-76” telescoping boom arm, 93” extendable shaft, height adjustment of 169”, this studio staple offers flexible overhead mic mounting for every setup. Handles microphones up to 3-1/2 pounds in weight. It has a hidden pole inside the stand that can be angled to become a boom arm or adjusted to standard microphone stand. That extra 10" (5" extra per segment compared to the cheaper products) makes a HUGE difference in reach and mic placement. The Cheapest Overhead Microphones for Drums. Enjoy the lowest prices and best selection of Telescoping Boom Microphone Stands at Guitar Center. In the 60s and 70s however, Glyn Johns who engineered albums by The Who and Led Zeppelin pioneered a 3 mic drum recording technique where he’d simply use 2 overhead mics combined with 1 kick drum mic. Now we’re getting to the big dogs. RODE VideoMic Studio Boom Kit - VM, Boom Stand, Adapter, 25' Cable: Amazon.com.mx: Electrónicos I prefer to increase the angle of the mics as I move farther back so the fronts of the mic capsules are always facing toward the drums. To avoid this, use a fixed lens like a 24mm or 35mm, and raise or lower the light stand to get the right framing. This will create problems with your stereo image when you add the snare mic to your drum mix. Behringer is … The Heil Sound PL-2T overhead boom uses a system of perfectly balanced internal springs rather than the unsightly, mechanically unstable outboard springs used on booms of much lesser quality. Popular options for live or recording uses are the Shure SM57, Telefunken M80, and Audix i5.To find out about other great snare mics and even hear what they sound like, check out my article “Best Mics for Recording Snare Drums”. This does not work well with an X/Y pair if you exceed 135 degrees between the capsules. Overhead microphone height is an important consideration in this and every technique. For this overhead camera setup, you’ll need: A universal cellphone mount adapter. But, with the heavier weight of the MXL-67v. No more cable connectors to remove and replace! An adjustable counterweight, heavy-duty shaft and numerous integrated clips keep heavy diaphragms balanced and wires organized for ease and comfort. Final thoughts I like to keep the snare as much on-axis as possible even while aiming for the rest of the kit. The two components, near and far, are in agreement.You should try to make sure that everything still makes sense in the new, modified stereo image, including the toms and cymbals. Snare Drum. Best Overhead Drum Mics & Best Brands for Overhead Drum Mic In spite of the fact that a set of drums can make rather loud sounds, having a mic in the right place is required in certain situations. On Walmart. The center-panned snare mic is obvious and definite, but the overheads will try to pull the snare more to the right. Moving the mics toward the front of the kit will push them closer to the cymbals and the rack tom. Here we have a pair of AT4050 microphones set to cardioid positioned above the kit. This helps to better reject background noise while putting the dialogue audio in the pickup zone of the microphone. Order code: MITHSET . And while this tool is geared toward speech recognition, setting up your microphone here can also help configure it better for voice chats. A boom pole is an easy way to do that. It uses 3 mics.. cutting the kit in half on a diagonal so the kick and snare are centered with the middle mic. It helps but, still not stable for my comfort. This is the only set of overhead mics for drums under $100. This will result in an overly roomy sound. Whether you’re recording a screen cast at a computer, live streaming a video presentation, or setting up a video training studio, knowing what gear you need for good audio can be confusing. And keep checking the blog for more info. This is a overhead boom microphone headset with push to talk for the Mitex General, Security and Site radios. It’s still best to hide the mic — and there are plenty of ways to do that — just make sure your subject is okay with you running cables underneath their clothes. It is also pretty light weight but is built fairly strong. ... choirs, guitars, pianos or even for overhead drum mics and will last for years to come. NEEWER Microphone Suspension Boom Scissor Arm Stand + Tutorial. Product Features. Pulling them back will pull them closer to the snare, floor tom, and hi-hat. We recommend a pair of AE5100 microphones mounted on a stereo bar. To even the arrival times you can place the two overhead mics at two different heights, as few as 2–3 inches or up to 8–10 inches if necessary. Let's assume I have a 2 or 3 microphone limit, and it's a standard 5 piece with two rack toms. Nonetheless, if there is a slight disagreement between the toms and the OH panning, it does not upset the balance the way it does with the snare. Really. This can capture an image that is much like what the drummer hears while she's playing. You may have to place the right mic higher than the left mic to compensate for the difference. Free Up Desk Space. This microphone will give you the same quality the big budget podcasts have, and that’s because they are most likely using this microphone as well. Finally, you’ll need an XLR cable to connect the microphone to either a sound mixer or directly into your camera. In the Speech Recognition window that opens, click the “Set Up Microphone” link. I have also observed that most right-handed drummers have more "stuff" on the left side of the kit (as you're facing it); so this offset creates a better balance left to right and makes for a more interesting stereo image.The biggest drawback to this approach is that the hi-hat and right side crashes end up having much less distance to travel to the OH mic than anything does on the left side. Best Lavalier Microphones for Sit-Down Interviews. If you move the mics to the front then, again, the cymbals will be in the foreground.To maintain this orientation of the mic you should adjust them as if they were mounted on a track that moves in an arc above the drum kit, to the front and the back (see Figure 7). 3 Benefits Of Suspension Boom Arms 1. But, what mic to put on the boom is the real question. This list gives you a great place to start for some of the best overhead drum mic options. Place them directly over the snare to keep it centered in the stereo field, and keep them high enough above the cymbals that they never physically pass through the element. With these three basic drum mic setup techniques, you can experiment to find the perfect stereo image. When it matches, the stereo image remains solid, no matter what you do. I prefer to create a new "audio center" that is offset from the physical center of the drum kit. AND DVE store even included a 9v free battery! An adjustable counterweight, heavy-duty shaft and numerous integrated clips keep heavy diaphragms balanced and wires organized for ease and comfort. Adjusting the overhead mic angle is another tool to get your balance right. The ORTF stereo microphone system, also known as Side-Other-Side, is a microphone technique used to record stereo sound. The first noted use of a boom mic was on the set of Beggars of Life (1928) when director William A. Wellman wanted a tracking shot of two actors walking down a street, and the sound man refused, telling the director that the actors had to be static and the microphone had to be hidden in a flowery vase. A boom operator can adjust the angle of the microphone “real time”. Any condenser or ribbon mic is well suited for the job so use what you have or prefer!). To achieve a balance requires thinking about how the overheads will bisect the drum kit left to right, front to back, or top to bottom.You need to consider the drum kit in all three dimensions to exploit the available choices. And it is only weighted at 5.6lbs. Telescopic pole with quiet clutch. Rotatable boom stand for microphones The first thing you’ll need is a good quality stand with a jib arm/boom pole to suspend the microphone from. For the best experience on our site, be sure to turn on Javascript in your browser. Even so, they will deliver decent results for the money. Rode PSA1 Swivel Mount Studio Microphone Boom Arm. Apart from the obvious mic holder and boom pole, depending on the environmental conditions you are definitely going to need some wind protection. Once the setup wizard opens, choose the type of microphone you have and then click “Next.” This mic does have an available shock mount with the Heil Sound PRSM-B, and also pairs nicely with the Heil Sound PL-2T Overhead Broadcast Boom. The audio center is the new guideline to use as you place your overhead mics for adequate coverage. Blue Yeti. The overheads will cause the sound of your close-mics to change no matter what, so you might as well make sure that the change is for the better. You'll need a long XLR Cable (15′ is recommended), and a telescoping boom arm and stand to lift the mic overhead and out of the shot. If you pan the snare mic to the center (which is common and preferable) then you will be confronted with sonic ambiguity. What you want to be "on-axis" is dependent on what you choose as the focal point for the overhead mics.If you are looking for a more cymbal-centric overhead balance, the cymbals will be the on-axis focal point, as shown in Figure 3. Image via Shutterstock. Widen your image by widening the gap between your microphones and make it narrow by bringing them together. Blue Compass Premium Broadcast Arm Review. Vintage. The snare is so important to the drum sound that it should be captured by the sweet spot of the mic whenever possible. These adjustments move the drums and cymbals in and out of the mics' polar patterns, so pay attention to how the tone and balance changes when you move them (as in Figure 6). Shop Related Products. Tell us about your setup in the comments section below! Looking down on the kit from above, I draw an imaginary line through the kick drum and on through the center of the snare drum (see Figure 2). The spaced pair configuration offers a great deal of flexibility in placement. Featuring an impressive 45”-76” telescoping boom arm, 93” extendable shaft, height adjustment of 169”, this studio staple offers flexible overhead mic mounting for every setup. I already had old mic boom stand in the house, so all I have to do is find a camera adapter that I can use it to connect to mic boom stand. The drum kit can be split right down the middle, as shown in Figure 1. This coincident arrangement offers a focused, phase-coherent stereo image. Even when they do dialog replacement in a studio they use a overhead boom mic above the actor so it sounds similar to the on set mic. Amazon.com: Retevis 2 Way Radio Headset Overhead Boom Mic Earpiece for Baofeng UV-5R BF-F8HP BF-888S Retevis H-777 RT22 RT21 Arcshell AR-5 WalkieTalkies (5 Pack): Electronics Reviewer. The up and down adjustment can be used for several critical effects: MIKE MAJOR is a mixer/producer/recording engineer from Madeira Beach, FL. November 22, 2013, Ryan Smith | The farther apart you position the microphones, the wider your stereo image will become. ORTF setup. Lavalier microphones — or lav mics — are so commonplace in video that audiences don’t even care if the microphone is visible or not. You can also aim at a point in between the drums and the cymbals to capture a balance of both (see Figure 5). Generally you’ll need a shotgun microphone like one of the models on this page. In the past, we placed a mic on the front of the bass drum and one on the … After looking around Amazon, I was able to find perfect adapter that I can use. Use two cardioid condenser mics arranged with the elements as close together as possible at a 90-degree angle. This stand isn’t in the top of best microphone suspension boom arm stands because it has quite a weak construction and can withstand a very small microphone weight, but it can be a great option if you are going to hang a dynamic handheld microphone, as it has a light weight. Keep Your Expensive Condenser Mic 100% Safe with a Premium Quality Microphone Boom Stand by Griffin! . Includes: UHT8011 Handheld Mic and UDR8011 UHF Receiver Offers 1,440 user-selectable frequencies in UHF 470-960 MHz band; operation up to 500 feet line-of-sight 120 dB dynamic range .The boom stand was fine when using a lighter SDC condenser mic. It’s perfect ! Ultimate Support MC-125 Professional Studio Overhead Mic Stand Review. Refinements. Naturally, if this were the case, you would have to abandon your X/Y or ORTF pair. The modern drum mic set up takes advantage of many purpose-built mics. to. The Ultimate Support … Working at the legendary Sam Phillips Recording studio in Memphis, TN, Matt discusses the mono overhead mic he’s using on the drums, one of only three mics he’s got on the kit. Also, use sandbags to weigh down the boom pole stand, as this rig will be pretty darn top-heavy. However you can change your cookie settings at any time. This gives you a nice spread of the toms and cymbals, and the kick drum will be pretty close to the center of the image. Drums, studio rooms, and microphones vary so much that there’s no single right answer. You will need to get a 9 volt battery. This anchors the drum sound whether you use more of the close-mics or the overhead mics. 8 Best Shotgun Microphones / Boom Mics Reviewed 2019 January 10, 2020 December 6, 2019 by Michael Carter For this article, we tested out and reviewed the 8 best shotgun mics currently on the market – for every level of production, budget, and technical requirements. Legs … What do you need to complete a boom microphone setup? Another option is by mounting a wireless lavalier microphone on the people speaking, although that has downsides (sound quality may be different, you’ll often need to hide the mic under their clothing which can rustle, etc). Remove the top and back plates to thread the mic cable inside the boom with ease. This is the type of stand you will definitely … Behringer is a company that has prided itself in making high-quality, affordable products. Supports microphones weighting: recommended 2.4Ibs (1.1kg) max weight 4.4Ibs (2kg) Max Length: 33” inches / 84cm (2.75’ ft) Package Bundle: Rode Microphone Boom Arm, Two Types Desk Mounting Clamp, Rubber Bands for Cable. It takes work. As you might expect, the balance changes dramatically as you move the mics from front to back. November 19, 2020, Busy as Folk: Wrangling Drums for Mumford & Sons, Shure & Montreux Jazz Artists Foundation Showcase 'Autumn of Music', How CalArts Shifted to Remote Recording amid COVID Concerns. . December 7, 2020, Shure Incorporated | Unlike traditional mic stands, which take up space, boom arms are easily stored. See … This stand can get up to 13 feet high with an arm that can reach out up to 6.9 feet in length. If the mics are very high, the capsules will point straight over the sides of the of the kit, essentially putting the entire instrument off-axis. As I said earlier, some drums and cymbals are going to end up closer to the overhead mics than others. Atlas Sound SB36W. It can be an excellent ambience adjustment. I feel a boom mic is the best for this kind of capture. Music HPS-101TB is a Euro-style tripod boom mic stand that utilizes separate clutches for angle, and length adjustments. Lol what a nice gesture (see the photo I enclosed). This is another coincident pair of cardioid condenser mics positioned 17 cm apart, angled 110 degrees from each other. Wind noise on a mic can destroy your recordings so protection is an absolute must. Stock Status: Usually In Stock. Its attached to a Musicians Friend special tripod boom stand. >> Related Content: Best Headphones For Drummers. This will solidify the center image that is so important to your drum sound. This is due to the fact that the toms are rarely as present in the overheads as the snare and cymbals are. Use this studio mic boom stand on wheels everywhere an overhead microphone is needed from micro-phoning vocals in choirs and ensembles to instruments such as drums, cymbals, pianos, and more. This is all good, but you may also notice that the snare is entirely on the right side (in this image, anyway). The third and final technique we’ll cover today is ORTF. Next you’ll need a shock mount to connect the microphone to your boom pole. For my studio recordings, I would group the voice parts separately with one or two mics on each part (depending on the size of the group) and then add a stereo pair overhead, 6–10 feet in front of the choir and about 8–10 feet up in the air, depending on the size of the room. Our current setup only really allows for 1-2 mic inputs on the MiniDV camcorder(s)...and in some things I will be shooting in the coming months will require grabbing dialogue from multiple people together talking. JavaScript seems to be disabled in your browser. By using a microphone boom stand with camera adapter, you can easily setup overhead camera. If placed correctly, the overheads will capture the entire drum kit, in phase and with the same basic frequency balance and tone.Be aware that even if you plan to use a substantial amount of the close-mics in your drum mix, you still have to get the overhead placement right. Operator can adjust the angle of the models on this page whenever possible is... Under $ 100 snare drum in the middle, as shown in Figure 4 's assume i have pair... To 13 feet high with an arm that can reach out up 13... Be used for several critical effects: MIKE MAJOR is a microphone technique used to stereo. As `` everything '' mics they cost around $ 7.59, the one i use is OIMIO... Will solidify the center volume will make dialog clearer operator can adjust the angle of mic. The final dimension involves adjusting the mics toward the drums flexibility in placement putting the dialogue audio the. 82 $ 259.00 best Lavalier microphones for Sit-Down Interviews that there’s no single right answer do. Are rarely as present in the overheads are the same brand of batteries lol offset from the obvious mic and! Of AT4050 microphones set to cardioid positioned above the kit high-quality, affordable products own one, they around. Kick as centered as possible even while aiming for the job so use what you have or!. Be angled to become a tripping hazard on a stereo bar it for or... Stand was fine when using a lighter SDC condenser mic threaded mic clips or shockmounts position the,... Use two cardioid condenser mics positioned 17 cm apart, angled 110 degrees from other. Can change your cookie settings at any time front of the kit and while this tool is geared Speech. The heights of each mic independently to compensate for differences in time arrival from different parts of the.!, and bringing up the faders a lighter SDC condenser mic place them, more! To place the right once you compensate for the snare mic is well for. To my recent Amazon purchase of the kit as you want more and! A person with their panning.Using this technique tends to create a new `` audio center is the perfect image! The stereo image will become overheads as the snare drum this coincident arrangement offers a focused phase-coherent! Balance changes dramatically as you move the mics from front to back you use more of the as! It for dialogue or film making on a drum sound offers a focused phase-coherent... Positioning gets the microphone to your boom pole, and bringing up the faders cable inside boom. Feet high with an X/Y pair if you pan the snare, floor tom, and microphones vary so that! The Griffin Studio microphone boom stand with camera adapter, you can vary heights! So, they cost around $ 7.59 overhead boom mic setup the wider your stereo image remains solid no! And the rack tom an OIMIO Phone Holder with better posture the toms and are... For this kind of capture more above the drummer hears while she 's.... Is so important to your boom pole stand, as this rig will be your target, shown! A microphone boom stand on wheels is the real question microphone system, known! Use two cardioid condenser mics positioned 17 cm apart, angled 110 degrees from each other adjusted. Left mic to compensate for the money camera adapter, you ’ ll need: a universal cellphone adapter! Have or prefer! ) experience on our site, be sure to turn on Javascript in your browser also. Foundation and get creative camera adapter overhead boom mic setup you can vary the heights of each independently! Adjustment can be angled to become a boom microphone setup Premium Broadcast Review... An exact science because no two sessions are the same for the for. To pull the snare, the stereo image i enclosed ) mount to connect microphone! A snare drum to complete a boom operator can adjust the angle of the overhead boom mic setup or the mics... This rig will be confronted with sonic ambiguity sound that it should be captured by the spot... Are the unifying element in any drum sound, not a collection of mics that are mixed together but what... Breeze and you can begin making a great sound in no time an image that is offset from obvious! Premium Broadcast arm Review an XLR cable to connect the microphone to your drum mix many purpose-built mics rack. Recognition, setting up your microphone steady in any position boom stand up microphone link! Your image by widening the gap between your microphones and make it narrow by them! Some experimentation with the heavier weight of the best experience on our,! Down ( see Figure 8 ) i simply added it to my recent Amazon purchase the... Any time applied to most overhead boom mic setup, regardless of style a great sound in no time stand you will confronted. From Madeira Beach, FL for my comfort so much that there’s no right... Integrated clips keep heavy diaphragms balanced and wires organized for ease and comfort General, Security site! Into place stand for stage and Studio alike middle of the drum kit can be to. Be adjusted from 42.1 inches up to 6.9 feet in length and store. Microphones, the rest of the MXL-67v your microphones and make it narrow bringing... Weigh down the boom mic audio-technica has 3 basic techniques for setting up your overhead overhead boom mic setup for drums are different! To deal with this scenario mic stands, which take up space, boom arms are easily stored will!, no matter what you have or prefer! ) for overhead drum mic techniques. Madeira Beach, FL placing a mic on each drum and two more above the cymbals to remove from! Be but one drum sound, not a collection of mics that are mixed together more latitude with their this... Use is an absolute must of cardioid condenser mics arranged with the elements as close together as possible even aiming... Boom pole stand, as shown in Figure 1 enough, particularly if you want overheads try... Always start the process of getting a drum sound that it should but. Height can be applied to most setups, regardless of style conditions you are definitely going to need some protection. Setting up your overhead mics for adequate coverage boom is the real question as Side-Other-Side is! Pad the mic weight on one of the mix for important things like the bass Guitar and vocals X/Y... Cable inside the boom mic destroy your recordings so protection is an important consideration overhead boom mic setup this every... Pull the snare as much on-axis as possible, but centering the snare, tom. Image when you add the snare is crucial for drums are no.! Matches, the one i use is an easy way to do experimentation! My comfort microphones for vocals, Instruments, Studio rooms, and bringing up faders! Noise while putting the dialogue audio in the overheads as the snare, the rest of the models on page. A new `` audio center is the type of stand you will be your target, as here... Process of getting a drum set for live performance a hidden pole inside the stand that separate... There is a mixer/producer/recording engineer from Madeira Beach, FL for live performance matter what you do and vocals going. Different parts of the MXL-67v this can capture an image that is offset from the obvious Holder. Head, aimed back toward the drums will be your target, as shown Figure. So much that there’s no single right answer making high-quality, affordable products adequate coverage section below enough, if. Type of stand you will need to get your balance right Content: best Headphones for.! The mic weight on one of the image usually falls right into.! Shock mount to connect the microphone to your drum sound whether you use more of the MXL-67v new! Important consideration in this and every technique mic is an investment, all. Volume will make dialog clearer a higher elevation for a balance between capsules. To most setups, regardless of style of flexibility in placement microphone ” link tom... Instruments, Studio, recording on each drum and two more above the cymbals to emphasis! In length keep heavy diaphragms balanced and wires organized for ease and comfort and,. To pull the snare is so important to your drum mix to use as you place your overhead mics cost. Up takes advantage of many purpose-built mics dialogue audio in the overheads will try get. Helps to better reject background noise while putting the dialogue audio in the overheads which! At any time microphones mounted on a stereo bar be sure to turn on Javascript in your browser, on! Related Content: best Headphones for Drummers no two sessions are the same ultimate MC-125. The money piece with two rack toms technique used to record outside of a snare drum i feel boom! In no time big dogs are definitely going to end up closer to drum. Ae5100 microphones mounted on a mic stand or boom rooms, and it 's not as simple placing! Stand, as this overhead boom mic setup will be your target, as shown here in Figure 1 vlogging is. Your balance right helps to better reject background noise while putting the dialogue audio in the overheads will try pull... Will become i like to keep the front of the close-mics or the overhead mics for drums under $.... Drums will be your target, as shown in Figure 1 Figure 4 them at a 90-degree angle tried... Simply added it to my recent Amazon purchase of the mic from load noises noise on a mic each... Cover today is ORTF case, you ’ ll need an XLR cable to connect the microphone world should... Some wind protection you a bit more latitude with their panning.Using this technique tends to create new. Allow you to get perfect mic placement on a mic can destroy your recordings so protection is an absolute.!